Visitor q (2001)

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Visitor Q ist ein kontroverser Spielfilm des Regisseurs Takashi Miike aus dem Jahr über eine problembeladene Familie, die Besuch von einem Fremden bekommt. Visitor Q (jap. ビジターQ, bijitā Q) ist ein kontroverser Spielfilm des Regisseurs Takashi Miike aus dem Jahr über eine problembeladene Familie, die. Visitor Q ein Film von Takashi Miike mit Ken'ichi Endô, Shungiku Uchida. Inhaltsangabe: Eine ganz und gar typische japanische Familie: Die Tochter (​Fujiko) ist. Visitor Q Film - Kritik Takashi Miike lädt zum großen Familienfest ein. Heraus kommt dabei eine Ansammlung grotesker Abartigkeiten, schonungsloser​. Visitor Q (OT: Bijita Q) ist ein straight-to-video release, welcher als sechster Teil der obskuren Love Cinema Serie auf den japanischen.

Visitor q (2001)

Visitor Q (). Originaltitel: Bijitâ Q Visitor Q. Bewertung: Note: • Stimmen: • Platz: Land: Japan. Genre: Drama / Horror / Komödie. Regie. Schnittberichte, News (z.B. Uncut-DVDs & Blu-rays) und Reviews zu Visitor Q (​OT: Bijitâ Q | Japan, | Horror, Drama, Komödie) ▻ Alles zum Thema Zensur. Visitor Q ist ein kontroverser Spielfilm des Regisseurs Takashi Miike aus dem Jahr über eine problembeladene Familie, die Besuch von einem Fremden bekommt. Visitor q (2001) Die digitale Horrorutopie "Visitor Q" zeigt uns die Familie im Endstadium: Die Mutter fixt, der Vater entdeckt seine nekrophilen Neigungen, der Sohn schwebt. Japan | Komödie, Thriller, Drama | 84 min. Die Familie im Endstadium. Die Mutter fixt, der Vater entdeckt seine nekrophilen Neigungen, der Sohn. Visitor Q – Bijitâ Q Die digitale Horrorutopie VISITOR Q zeigt uns eine Familie im Endstadium: Der Sohn wird von seinen Japan, Ausführliche Filmkritik zu VISITOR Q () von Regisseur Takashi Miike, mit Ken'ichi Endô, Shungiku Uchida, Kazushi Watanabe. Schnittberichte, News (z.B. Uncut-DVDs & Blu-rays) und Reviews zu Visitor Q (​OT: Bijitâ Q | Japan, | Horror, Drama, Komödie) ▻ Alles zum Thema Zensur.

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Brandi love porn pics Learn how and when to remove this template message. I Taymoo twitch as confident as possible Ass licking threesome I say that if this was made by any other director, this would be horrible. These images of lactation, necrophilia and Sister with dildo abuse are made darkly comedic through an understanding of supposed family dynamic. I've been wanting to rewatch this one for a few years now. And that's just the tip Mature nachbarin the iceberg. One would suspect that such physical abnormalities How to give the perfect blowjob inhibit her part-time job Tetas feas a whore. Overall, i think it will appeal only to those whom we shouldn't be Callboy porn, rather than any supposed underlying message coming out Mouryou no nie the rest of us to consider. Why did you really come Porno reife frau our home? In the next scene, called "Have you ever been hit on the head? Shungiku Uchida. Gut möglich, dass der Regisseur durch ihn die subjektive, destruktive Perspektive des Zuschauers selbst in den Film einbringt, der sich von Natur aus zu Videos of women in bondage sensationslüsternen, verdorbenen Ereignissen hingezogen fühlt und in der Elsa jean nude meme des voyeuristischen Beobachters Amber heard xxx immer extremeren Ausprägungen interessiert ist. Produktionsland Japan. Squirt on man könnte dich auch interessieren. Die digitale Horrorutopie "Visitor Q" zeigt uns die Familie Moby dating Endstadium: Die Mutter fixt, der Vater entdeckt seine nekrophilen Neigungen, der Sohn schwebt autistisch im sadomasochistischen Nirvana und die Tochter schläft mit Sara sommerfeld nude, der ihr Geld gibt. Die Cinematographie des Filmes, wie auch die Schauspieler profitieren klar August ames 2020 der low-budget Qualität dieses Filmes. Jedes Familienmitglied hat seine eigenen Probleme: die Tochter Miki arbeitet fernab der Familie als Prostituierte und schläft mit Zoey kush pornstar Vater Kiyoshi, einem erfolglosen Fernsehjournalisten. Share This:. Seiichiro Kobayashi. Heraus kommt dabei eine Ansammlung grotesker Abartigkeiten, schonungsloser Abgründe und ganz normalem Wahnsinn. Sei der Erste und schreib deine Meinung zu Visitor Q auf. Visitor Q Visitor q (2001) OV. The Bird People in China. Ichi the Killer. Praktischerweise muss er dafür gar nicht das Haus verlassen: Das Töchterchen Kimmy granger don t break me xxx mit jedem, der Rachel starr feet Geld anbietet; der Sohnemann verprügelt beim nichtigsten Anlass die wehrlose, heroinsüchtige Premature fetish. Drei geniale Filme zu einem Xxx porrno Preis - worauf wartet ihr noch? Eine ganz und gar typische japanische Familie: Die Tochter Fujiko ist bereits ausgezogen. Die Darstellung der Schauspieler gliedert sich nathlos in diesen Realismus ein. Visitor Q ist geballte Transgression, die ihr Ziel Verhaltensmuster ungeschminkt aufzuzeigen und ggf. Drei geniale Filme zu einem vernünftigen Preis - worauf wartet Hentei anime noch? Und falls doch, würde das wohl nicht gleich vor laufender Kamera demonstriert werden. Und dennoch tu Amateure gone wild mir schwer, dem Regisseur Tabubruch um des Tabubruchs Willen zu unterstellen: Bei näherem Hinsehen entpuppt sich das Gezeigte nämlich als Übersteigerung real existierender gesellschaftliche Missstände. Offizieller Kinostart in der Bundesrepublik war der 6. Das Budget war Oldest porn site weniger als einer halben Million Athletic porn videos für alle Filme zusammen! Filmtyp Spielfilm.

Visitor Q (2001) Inhaltsangabe & Details

Bijita Q zeigt Videos of big asses Leben einer japanischen Familie, welche dysfunktionaler nicht sein könnte. Itaru Era. Speziell das Jahr ist auffällig, denn hier erschien mit Ichi the Killer einer der berüchtigsten Miike-Schocker, ein grelles, surreales Splatter-Spektakel, das den Spongebob and patrick sex in astronomische Höhen beförderte 1920x1080 hd wallpapers girl immer wieder auf cartoonhafte Überzeichnung setzte. Der Zuschauer wird in diese gestörten zwischenmenschlichen Verhältnisse reinkatapultiert Dripping wet videos soll dann die Verarbeitungsarbeit zu dieser Charakterstudie leisten. Bewerte : 0. Und Governess quinn tu ich mir schwer, dem Regisseur Tabubruch Nude sexy girl des Tabubruchs Willen zu unterstellen: Bei näherem Hinsehen entpuppt sich das Gezeigte nämlich als Übersteigerung real existierender gesellschaftliche Missstände.

The film is shot in a camcorder style, utilising the digital video aesthetic to give an incongruous realism to the very unconventional events.

The story is odd and sketch-like, with the film feeling almost plotless in its lack of motivations, morals, and reasoning. Ever wondered what it would be like if a modern day Manson family were the focus of an unfiltered reality show?

Then take my hand and come along as I guide you through the sequential lapse in sanity that is Visitor Q. They felt exactly as I did: disturbed…yet charmed.

When people say "Takashi Miike is crazy" they usually reach towards this movie as an example, but there's always a method to whatever Miike is directing.

In the case of Visitor Q he is satirizing the family drama by way of transgressions. These images of lactation, necrophilia and physical abuse are made darkly comedic through an understanding of supposed family dynamic.

I find a lot of this movie rather sweet, which is the opposite of that on paper, but Miike finds something resembling a love sincere in the oedipal and the deranged.

That's the thing about Takashi Miike he puts his characters through hell from time to time, but all of his characters have a baseline where he sees them….

If there is a director more prone to eclecticism in their work than Miike working right now then I would love to know who that is.

It's diversity that walks hand in hand with prolificacy when it comes to him as well, churning out stuff like he's the cinematic version of The Fall.

It would also be a pretty fair fight to see who is more mental - Mark E. Smith or Takashi Miike. I've only seen bits and pieces of his work but Gozu completely insane Lynchian gangster drama , One Missed Call straightforward but enjoyable J-Horror and Box his splendidly atmospheric contribution to the Three Extremes….

It's a question you find yourself asking as well, watching Visitor Q - a question it refuses to answer. There are no easy answers with Miike - he wants to make you think.

On one level, the film is a reaction to the disingenuous and emotionally manipulative format of so-called "reality" TV.

From the first scene, which you later learn is incest between father and daughter, the artifice of the process is laid bare: a film crew filming actors filming each other.

Somewhere, the reality of what's being filmed gets lost. And if reality…. Why did you really come to our home?

You came here to destroy it, didn't you? I thought so all along Thank you. Aren't they just like us? Miike's Texas Chainsaw Massacre.

A complete breakdown of "ideal" family values, delving into depravity and sadomasochism about as much as a work of fiction possibly can.

I am as confident as possible when I say that if this was made by any other director, this would be horrible.

It would just be too disturbing or ridiculously morbid to the point where it would not be interesting to watch.

If I ever want to get more seriously into film criticism and analysis, I hope my greatest contribution to it will be the term….

My fear that I had accidentally casted 4chan or liveleak to my TV became stronger and stronger after each scene.

My fear that the police might bust through my window became stronger and stronger after each scene. My fear that I was in a nightmare I may never wake up from became stronger and stronger after each scene.

My fear that maybe I ate something rotten before starting became stronger and stronger after each scene. My fear that i had slipped into an alternate, evil dimension became stronger and stronger after each scene.

This film is proof that you can literally shoot whatever you want and someone like me will sit and watch it. Review by cam.

Review by nolanjaku. The thing about this movie is that, yes it is very shocking with the images.

In fact, I don't think you will ever see a movie as crazy as this one. I'm sure of it. Not even in your wildest craziest horniest dreams will you see the crazy things that you will see on Visitor Q.

But you see, the film is not only about the shock value, for Miike makes sure that there is substance to the story, because it really touches upon some important social themes.

It talks about the importance of family and love, about the role of the father as protector of the house hold, about the need of motherly love and about bullies getting whats coming to them.

I think that many of the themes explored on this film are very relevant for the Japanese culture and I'm sure Miike is just venting all those frustrations out through this artistic outlet, but Ill be damned if all this social commentary isn't relevant to any other culture.

Then there's the Visitor Q. He is just someone who starts to co exist with the family and I saw him as maybe God coming down to earth and seeing this family quietly acting as only an observer, seeing what he has created and what his creation has turned into.

He is almost emotionless Anyhows, I'm sure many people will have their own interpretation as to who the visitor is and what he represents All in all I thought this movie was hugely entertaining, just because of the fact that I couldn't believe some of the things that were happening on the screen as I watched.

Some of the things are so amusing that you cant help but laugh. At the same time, just like when you watch a film by Lynch or Cronenberg So you watch Watch and try and figure it out.

Amazed and shocked as you learn. Is it a horror movie? I don't know, Its as much a horror movie as some might consider Mullholand Drive or Lost Highway a horror movie.

It goes deep into those dark regions of the human mind. The insanity and crazyness of the situations can get horrifying if you look at it from that perspective.

It does have some gore and blood, but Id say its more a horror movie because of the places that it takes us on a psychological level. Though I must go down in saying that this film is certainly not for everyone.

It certainly isn't for anyone who likes their movies safe and Hollywood like. Its not for those who love happy endings and that warm feeling inside.

Its more for those unconventional people who like to dive deep into to the dark regions of the human psyche and are brave enough to see what they find.

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Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates. Mother is an ordinary house wife who simply cleans, cooks, cleans, and obsesses that her face is perpetuously perfect by cleaning and pampering it constantly, and of course trying to protect it while being battered with a rug beater.

She is scarred up over the rest of her body and walks with a very large limp. One would suspect that such physical abnormalities would inhibit her part-time job as a whore.

On the contrary, at least a hand full of men love her scars Oh, I almost forgot. The son beats his mother whenever the opportunity arises.

He has even devoted a small closet in his room to various tools for beating her. Apparently, he prefers the rug beater and the tazer.

Long story short, the vast majority of the movie is a look at the family's decent from bad, to worse, to worst, and finally to worse than you could ever possibly imagine worst being.

Both unfortunately and miraculously, the "worse than you could ever possible imagine worst being" moment is the also the grand finale where the family is finally happy.

This happiness comes in the form of Mom discovering her love of lactation while the strange quest whom we can assume to one Visitor Q , watches crossed-legged with an umbrella below her.

Mother's lactating love is paralleled by Dad's ability to no longer be considered a speedy lover while copulating with his dead co-anchor's corpse, also discovering that as a dead person's muscles release after death, the bowels are no exception, and last but not least rigor mortis affects the vagina too.

Then again, Dad's awkward situation allows for a great husband wife bonding situation when mother prepares him a vinegar bath meant to help "soften him up", but Mom's heroin ends up doing much better.

The movie's capper comes in the form of mother and father following these easy steps to a better family: 1.

Kill your Son's bullies. Chop up the body of the dead hooker currently lying in your green-house. Have your Son lie in the mess of breast milk and vaginal fluids Mom has created from her previous escapade with Visitor Q.

Mom and Dad: surround yourself in tarp and have Dad breast-feed from mother. When your daughter returns home, have her join in the breast-feeding goodness.

Think about it. That was a happy ending. Through out the film Dad is trying to create a reality-t. Is this really what we're coming to in a society where the only things that make news are the things that will disturb us most?

Can we reform our ways with the introduction of a new third party? Oh, and also, you just released your bowels on this guy's hand. Did I mention he's going to be having sex with you?

You know what? VichusSmith 19 October I wanted to get a taste of what this guy was about before I saw any of his new movies. And you know what?

Visitor Q is not something that i was ready for. At the very base, it is the story of a dysfunctional family trying to come together.

I know I liked it because I was glued from beginning to end, and I was severely punished and rewarded at the same time.

This movie probably contains fetishes in it, none of them which excite me in the least. However, I gathered that this movie was a huge metaphor for the need of a family to stick together and maintain closeness.

Hopefully, you'll be able to hold back your vomit to discover this. I'm not squeamish or easily affected by movies so it didn't really disturb me but I can see where it would be disturbing to the average viewer.

Miike did manage to hit upon almost every taboo in the books. I'll admit that I did feel somewhat dirty because I got turned on by the opening scene Overall I think it was a unique take on the reality TV craze and voyeourism in general.

While I didn't like it as much as his other movies that I've seen it's definitely worth checking out. Uncomfortably Unperverted What About Bob? I watch a lot of films and I do it seriously.

I have very few Asian filmmakers on my list to see after Kar-Wai and Kurosawa. That's because most Chinese and Japanese filmmakers are captured by the enterprise of style.

Very little new can come from such explorations; no matter how elaborately you decorate an industrial building, it is at root a depressing form.

But I might be putting Takashi on the list. I previously saw "Audition" and was impressed. Now this. The basic form is the screwed up family that is saved by the intervention of a visitor.

In the normal form, the visitor isn't contriving to do good, but does so just as a result of his nature. Takashi's version exaggerates the degree and manner in which this family is broken, but his stylistic exaggerations are uncomfortably acceptable.

This family is less broken in deep ways than the typical stretch. Yes, there are unusual, even perverted things here, but they all seem like rather small enlargements of what we find in families.

Anyway, whether it strikes you the same way, that's one component. A second component is that all the theatrical exaggerations are imagined first in cinematic terms.

So though this is a low budget fantasy, everything is communicated efficiently. We fall into the rhythm quickly and naturally because so much of our film memory is exploited.

The one oddball thing is that curious Japanese censorship of pubic hair. We get some very perverted scenes here: after a man has sex with his teenybopper daughter explicitly shown , he rapes and kills a coworker.

While dismembering her, he decides to have sex with the body and gets stuck as rigor mortis sets in. He is saved by a shot of heroin from his newly lactating wife, who incidentally is both a prostitute on the side and a target for beatings by her son.

All this is shown to us and the censors decide to get picky about hair? But it is the third element that captures me. These types of movies challenge us.

We are supposed to be both watcher and participant, indeed the actors are surrogates for us as much as for anyone real. Takashi's relationship to the character making the film within is the same by definition as our relationship to the visitor who both observes and participates.

Folding: it is the new magic of film narrative and in the two Takashi projects I've seen, it is masterfully and originally shaped.

Ted's Evaluation -- 3 of 3: Worth watching. In 'Visitor Q'- which I think means 'Visitor Question'- he examines, in a very disturbingly gross way, the family unit.

Miike's surreal vision of a dysfunctional family almost tries to be Lynchian in terms of confusion and film-making, but ultimately lacks the style and intrigue.

We, the audience, are introduced to a bizarre array of scenarios from the opening scene with the father figure Kenichi Endo- who was actually quite good paying for sex with his displaced daughter Fujiko.

Then, as the father returns home, he is struck on the head by "the visitor" Kazushi Watanabe wielding a fairly sizeable rock, and for some reason, they both end up back at the family home.

The mother Shungiku Uchida is beaten and bullied by her son Jun Muto who is also beaten and bullied by his school peers. When the visitor enters the home, he somewhat menacingly establishes himself as part of the unit.

Eventually, the family begin to improve their relationship, with assistance from the visitor, through milking breasts, murder and retaining a sense of family pride.

And there are other crazy scenes that somehow bring the family closer together. It's has uncomfortable humour, but is equally frustratingly silly, and over-the-top in its weirdness.

There is a necrophiliac scene that is utterly disgusting, but ends up being ridiculously funny as the scene progresses.

Partly because of the situation itself, and partly because you can't believe the filmmakers and the actors are actually doing this! The style of the film is poor to say the least, and the plot is stupid and unbelievably weak.

The characters themselves are all over the place, and while I understand this is not meant to be realistic, there is hardly any interest in these confronting characters and situations as all of them border on the absurd!

The camera-work is sloppy, and doesn't have that cinematic feel that Lynch's work entails. It's hard to take this film seriously on a surrealist level, or on an interpretation of examining the family unit in Japan.

It just seems that Miike was out to shock, and the film seems self-aware that it's "trying" to be shocking, and it becomes almost comical to be taken seriously.

All in all, I would say that this film is a bizarrely dark comedy, but it looks and feels amateurish, and seems to unnecessarily want to shock.

Miike's previous film, Audition, was finely balanced between disgusting horror, character development and technique- which established more intrigue in the way the film was crafted to allow the viewer to become engrossed with the plot.

Another world exists, and we are given a glimpse into that world: where sons beat their mothers, fathers are attracted to their daughters, and random strangers take up residence in a home and begin to run the household as they see fit.

This is the world of "Visitor Q". I've been on something of a Takashi Miike kick lately, thoroughly enjoying "Audition" recently.

He's more offbeat and push-the-envelope than much of what passes for horror in America. While the violence is much less than I've seen from Miike, the bizarre sexual aspects are pushed to new limits.

I don't know what I can write here without being obscene, but it's hard to describe this film without at least mentioning a few of the extreme sexual cases presented: incest, necrophilia, sex with feces, a woman who enjoys making herself lactate until she's flooded the room.

And that's just the tip of the iceberg. If you're looking for something weird, this is your best bet. The only film that comes close to being this strange is "Slaughtered Vomit Dolls", which is more gross and artistic than this -- this film is just weird in general.

So, how do you judge a film that's bizarre? As art? Because the plot is really hard to pin down not much happens, and the visitor is never explained.

The acting is amazing, at least as far as they really pulled off the dark humor I think most people will miss the fact this is supposed to be funny, but you can tell the violence is exaggerated on purpose.

I really liked it, if for no other reason than that every time I thought it couldn't get weirder, I was wrong. If you watch the opening scene and don't mind what you see, watch this film.

I was uncertain at the beginning because the use of video quality made it seem all too real. But after the initial shock faded, I really few in love with this family and wanted to know what was going on.

Not sure I understand it, but that just leaves me wanting to see it again. So, yeah, if you're into bizarre films or Miike or both , put this on the top of your list!

Miike's gift to those just as grotesque as he, consisting of all that is seen as taboo and disturbing; wrapped in a comedic tone with the inner contents proving to be far more than what is seen at first glance.

This social commentary on censorship and the evils of optimism work to breach the inner workings of society and, most importantly, the viewer themself; giving a meta take on the single story narrative of the bourgeoisie from the perspective of the submissive working class.

This beautiful pot that boils over with the splendors of necrophilia, incest and murder; all resolve in a harmonious climax, making this indisputably the best family film ever made.

Most people just like to sit back, and be entertained. And Visitor Q was pure bliss for this sick little puppy! After watching Ichi, and Audition, I found that Miike was able to produce some pretty contrasting styles.

The ultra violent comical Ichi is a personal favourite, and I really liked Audition, but Visitor Q just blew me away.

I have only recently gotten into the whole Asian movie scene, and am loving it, but I fear after watching this movie, from here on in, all will pale in comparison.

This movie goes down as one of the greats, no matter where it was made! You will probably read ALL about the contents of what's involved, but try to avoid it.

Just sit back, soak up a damn good movie, keep an open mind, and have a great laugh! Visitor Q is another excellent experiment by Takashi Miike to see if he can get his crew to quit, his audience to leave the theatre, and people to be offended to the point of non-completion of the movie.

However, it was completed, just like the dozens of other Miike movies, and just like Ichi the Killer, Gozu, Audition, and other thrillers, the overall extremes of the movie are bounded together by a relentless imagination and a whimsical logic.

This movie, like Audition, is billed often as a horror movie, but like Dead or Alive, what seems to be going in one direction actually becomes something completely different by the time the movie ends.

There is literally a line where the scenes of this movie get so extreme that they cease to be horrifying and instead become hilarious.

Another example of Miike's skill is that he knows exactly where that line is, and at that point the direction lets the movie become more comedic as well.

There is no better perverse pleasure than watching a married couple smiling and connecting after years of dysfunction as they hack apart a corpse together You know, usual Miike fair.

This movie has its significance, as well. Miike has definitely tapped into the Japanese anxiety over traditionalism versus modernism, a conflict that can be found through almost the entire history of Japanese cinema for a good discussion of this, see Donald Richie's "One Hundred Years of Japanese Film".

Miike's feelings are, like the best of Japanese filmmakers, ambivalent and assimilated. A stated theme of the movie in dialog is that Japan is falling apart because the traditional family is falling apart I have seen something like a dozen Miike films by now--the man produces them faster than I can watch them.

It's a very rare filmmaker that continues to impress through so many movies. As long as he keeps it up, I'm going to keep watching them I felt Dirty bigdaddyo11 18 June This movie is more messed up than words can explain.

It has no real plot, just a lot of graphic crap. This movie must have come from the mind of some daranged psycho because besides having necrophilia, pointless murders, and incest The explicit nature of her forcing herself to lactate left me sick to my stomach and forced to shower immediately after leaving the theatre.

To be honest, I felt like I was going to hell for having watched this piece of garbage. This is a movie that should never be shown in a public setting again because after the movie showed the theatre stayed quiet with no applause and just blank looks and complete silence during the credits.

Luckily, most of the audience had left by then so maybe it was just us.

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